From The Canterlot Vidalia (“Keeping journalists honest since 987”), 6 March, 1003 issue:
The Week in Music
By Rip Fork
Artist: DJ PON-3
Album: My Height in SquirrelsCritic: Spilt Ink
Publication: Sound on Sound, March 2, 1003How many times has Spilt Ink graced this column again? Certainly this will provide more fodder for astute readers to accuse me of being personally obsessed with him, an accusation I can’t completely deny. But in my defense, I’m not as obsessed with him as he is with DJ PON-3. Prior to reading Spilt Ink, I didn’t think it was possible for anypony to be this obsessed with anything. But more on that later.
Where to begin? Not at the beginning, of course, where Spilt Ink wastes four hundred words rambling about the history of house music. He name-drops eighteen other musicians, with asides about the play Mane and his favorite gazpacho recipe, before even mentioning the actual topic of the review.
But once he does, the claws come out! “Her latest and worst batch of electronic flailings,” he writes. “Twelve aural atrocities, each more horrifying than the last … an assault on intelligence, taste, and civilization itself … Why hasn’t she been arrested yet?” Wow. Are we reviewing a music album or a war crime? Credit where it’s due: I’m impressed at Spilt Ink’s restraint in not using the phrase “literally worse than King Sombra,” even though he was clearly thinking it.
And when Spilt Ink isn’t hyperbolizing, he’s obfuscating. To wit: he calls one song “pizzamoshbro garbage,” as if those combinations of letters mean anything outside his own brain. “Soulless Draftwerk worship”—here’s an idea, Mr. Ink: try to describe the music with words, not references to fifty other artists and genres. Ponies actually pay you for your words, so don’t you dare tell me that’s too much to ask. “A fleeting poignancy ground to dust under the digital hoof of this monolithic temptress”—in my nightmares of the future, I see a paragraph of prose like that, stamping on an equine face … forever.
But if one lets that impenetrable writing scare them away, then they’ll miss the most revealing moment at the very end of the review: “I’ve listened to this album dozens of times, and every time, some brand new flaw jumps out at me, and I finish even more offended and disappointed than before.” You know, most ponies, when confronted with an album that distresses them so much, stop listening to it. And don’t tell me that you had to do it for your job, Mr. Ink—I only had to read your review three times to write this column, so there’s no reason a professional like you would need more exposure. Besides, there’s no point in suffering for your art if the result is witticisms like “pizzamoshbro garbage.”
Look, Mr. Ink, I understand DJ PON-3’s fans have been giving you grief over your reviews, and that must be very frustrating. If it makes you feel any better, I don’t care at all about her. Never even listened to any of her albums. So you know that I’m being honest and impartial when I tell you that your review just sucks. Because it really does.
Huh. Metacriticism. Wasn't expecting that. I wonder if Vinyl ever saw this one.
7879003 Rip Fork implies that he's gotten letters from his own readers, accusing him of being obsessed with Spilt Ink. I like to think that one of those letters came from Vinyl.
A welcome divergence from madness.
That is an offensive stance against the old tradition of getting paid for rambling on and on and probably being drunk while doing so.
Rip Fork is letting Vinyl Scratch, her fans and THE MARE oppress a noble, lysergic word slinger for exactly what? Money? Coherence? Integrity? Music?
As if the TRUE readers of Sound on Sound were interested in music. If they went that low they would buy that editorial dreg known as Sedimentary Schist (redundancy is redundant).
7879313 Spoken just like a plebe who doesn't understand Spilt Ink’s literary brilliance. Or like (shudder) a DJ PON-3 fan.
7879592 See, this pony gets it. The writer doesn’t exist for our sake, to pander to every whim of the masses; we exist to appreciate the writer.
Just gotta say I'm really glad that one of my stories prompted this. I really like how it turned out.
I did not know I needed this in my life. The delicious absurdity, the impenetrable obsessive metaphors, the pony telling the other pony that said other pony clearly has a hate-crush on Vinyl Scratch...
7893539 Writing badly is surprisingly fun.
This is four more meta (do u c wut i did thar) than I was expecting! V:
7972058 I never met a meta I didn’t like.
WOW.
7882019
What?
7893888
The name tempts you. The cover, the tracklist, all like the aroma of a fine wine. Yet, on taking the plunge, drinking in this latest installment after pushing play, it climbs down your throat and reminds you it's trying to kill you. You wake up in a bathtub full of ice, and are fresh out of kidneys, for they could not save you from this putrescently-pounded piece of pop.
8143763
Mr. J-teeth wrote Octaves, about Vinyl Scratch making her breakthrough as a musician. For one chapter, he needed some quotes from in-story album reviews, and he asked me to write the quotes so they'd sound more like real music journalists. I enjoyed writing in that stuck-up persona so much, it inspired me to keep writing and spin it off into another fic.
Hyperbolic prose, mixed metaphors... yeah, you've got it down.